Sunday 7 December 2014

Hi Everyone,

If you have been following me, you will know that I just love colourful backgrounds.  For this Art Journal page I decided to challenge myself and try to stick to just a plain white background.

 

 
INSTRUCTIONS:
  1. I covered my page with white acrylic paint so that I have a nice, smooth surface to work on.  You can also use white gesso if you prefer.  Make sure that the page is completely dry before you carry on.
  2. Use a charcoal pencil and draw the outlines of the birds on the Birds-in-a-Row stencil. 
  3. Use white acrylic paint to pull the charcoal from the outlines of the birds to create a grayscale image. This also "fixes” the charcoal so that it does not smear and allow you to add more layers on top.
  4. Draw one of the birds on the stencil on patterned paper and cut out. I used wax paper that I created with foam stamps and acrylic paints.
  5. Use the Birds-in-a-Row stencil to adhere the image of the bird with matte medium next to the other birds. Make sure that it lying flat with no air trapped underneath.
  6. Use the stencil to add details to the birds with the charcoal pencil and blend it with white acrylic paint – this will give it a more painterly look and soften the rigid pencil lines.
  7. Do the same with the coloured bird, but you use a Derwent Inktense pencil.  I used a lime-green acrylic paint to pull the coloured outlines into the image.  This will give you a graduated coloured look from dark to light.
  8. I used yellow and blue acrylic paint to create some interest and details to the bird.  Remember to add a small white dot in the each of the bird’s eyes – now they will look alive.
  9. Print out the quote and use transfer paper to transfer it to your page.  Use markers (I used Big Brush pens) to write over the “pencil” lines.  I used the same technique for the grayscale birds and used my charcoal pencils and white acrylic paint to create the word “copy”.  
  10. Add some interest and details to the words and the birds with different colours of markers in different nib sizes.
  11. Use the Swirls 1 stencil and the Teal Green Derwent Intense pencil to draw swirls behind the row of birds.  This will anchor the birds as it looked like they were floating in the air.
  12. Use a water brush to activate the Inktense pencil and go over it with a marker when it has dried.
  13. Remember to add the date.
 
Download quote:
Quote Birds Art Journal Page.pdf

Watch the video here:


 

Friday 24 October 2014

ART JOURNAL PAGE – CHANGE IT, YOU ARE NOT A TREE!


     INSTRUCTIONS: 
  1. Spray Dylusions Ink Sprays in Postbox Red, Squeezed Orange, Pure Sunshine & Bubblegum Pink though the Polka Dots stencil. I always clean my stencils and left-over paints and inks in my telephone directory.  This paper is perfect for collage. Make sure that each layer dries properly before adding another.
  2. Tear a piece of Island Dots patterned tissue paper large enough to cover the whole background and adhere with Liquitex Matte Medium.  Only adhere small sections at a time as the Matte Medium dries very quickly.  As the Ink Sprays are not permanent the tissue paper will absorb the ink underneath.
  3. Apply a layer of matte medium on top of the tissue paper – this will ensure that the ink sprays are sealed so that more layers can be added.
  4. Apply Dina Wakley Media Heavyweight Acrylic Paint in Ruby and Lemon with a palette knife.  The thick creamy consistency of this paint makes it easy to add texture and marks to the background.
  5. Apply Umber, Blackberry Violet & Lapis through the Tree stencil with a palette knife.  You can temporarily adhere the stencil with repositionable adhesive spray if you do not want any paint to seep underneath the stencil.
  6. Apply Blackberry Violet, Lapis, Lime, Turquoise and White paint with a paint brush to the tree – the thick consistency of the paint allows you to create brushstrokes.
  7. Randomly add dots with a sponge dauber – I used Turquoise, Magenta, Tangerine, Lime, Lemon, Lapis, Sky & White.
  8. Write the quote in pencil and when you are satisfied with the placement – write over it with the black Edding Paint Marker.
  9. Used the Edding paint markers in various colours and add outlines and details to the paint dots.
  10. Add a layer of Indian ink with the Faber-Castel Big Brush pen in Deed Scarlet Red over the quote to make the quote stand out against the busy page.
  11. Outline the word of the quote with the white Edding Paint Marker and lastly add the date.
PRODUCTS USED:

Strathmore Bristol Smooth Visual Journal 9x12
Dylusions Ink Sprays - Postbox Red, Squeezed Orange, Pure Sunshine & Bubblegum Pink
Stencil-Art Stencils - Polka Dots & Tree
Patterned Tissue Paper - Island Dots
Liquitex Matte Medium
Dina Wakley Media Heavybody Acrylic Paint - Ruby, Lemon, Umber, Blackberry Violet, Lapis, Lime, Turquoise, White, Magenta, Tangerine & Sky
Edding Paint Markers - Black, White, Orange, Dark Blue, Light Blue, Yellow, Red, Purple, Pink & Green
Faber-Castel Big Brush Pen - Deep Scarlet Red

Watch the video on Youtube:


Thursday 2 October 2014

Hi Everyone,

Happy Spring! I am so glad that winter is over, although we are still waiting for the Highveld Thundershowers.  With this page I really enjoyed playing with some new stencils and my latest obsession - Derwent Artbars.


POPPIES ART JOURNAL PAGE


 INSTRUCTIONS:

1.     Start by colouring the blank page with Derwent Artbars in Kiwi, Spearmint, Turquoise, Orange and Process Yellow.
2.       Adhere pattered paper towel with gel medium to the page and seal it with gel medium over the paper towel.  Let dry thoroughly otherwise the paper towel will tear.
3.       Mix Dina Wakley Heavy Body Acrylic Paint in Turquoise, Lime and Night with water to create a wash and paint a thin layer over the paper towel – the previous layers must still be visible.
4.       Mix Dina Wakley Heavy Body Acrylic paint in Lemon & Night to create green and use to a brayer to apply a thin coat.
5.       Use Ellen Vargo EEV06 stamps by PaperArtsy with Heritage Crafts Free Flow Acrylics in Dark Blue and Green Field to add texture to the page.
6.       Rub the Inktense block in teal over the page and apply Liquitex Mattte Medium over it.  The layer of Inktense block will dry permanent and unify all the previous layers.
7.       Grate the red Inktense Block with the Derwent Grate ‘n Shake and mix it with the Liquitex Blende Fibre Gel.  Lightly mix in a small amount of dark red, orange and yellow to create a slight variation of colour.
8.       Apply the coloured Fibre Gel through the Poppie stencil and let it dry overnight.
9.       Use the Quotes 1 stencil and apply black Heritage Crafts Dimensional Fabric Puff Paint through the stencil with a palette knife and dry it with a heat gun or hairdryer.
10.   Carefully draw in the stems of the poppies with the Poppies stencil and the black Edding 750 Paint Marker.
11.   Use the red Edding 750 Paint Marker and fill in the gaps in the poppies left by the stencil. 
12.   Add leaves to the stems with the Swirly Leaves stencils and the black Edding 750 Paint Marker.
13.   Use the black Faber-Castell Big Brush pen to add shading around the poppies and add dimension to the flower leaves with Deep Scarlet Red around the outer edges and the Orange Glaze to the insides.
14.   Add yellow Edding 750 Paint Marker to the insides of the Poppies.
15.   Thicken the stems of the flowers and add dashes to the stems and outline it in white. Also add detail to the leaves in white.
16.   Outline the words of the quote with the white Edding 780 Paint Marker.
17.   Use the puff paint to add seeds to the centres of the open poppies.
18.   Remember to add the date to your page.


PRODUCT LIST

Derwent Artbars - Kiwi (A18), Spearmint (A32), Turquoise (A15), Orange (A04) & Process Yellow (A01)
Papertowel (Woolworths)
Liquitex Gel Medium
Dina Wakley Heavy Body Acrylic Paint - Turquoise, Lime, Night & Lemon
PaperArtsy Stamp Set - Ellen Vargo EEV06
Heritage Crafts Free Flow Acrylic Paint - Dark Blue & Green Field
Derwent Inktense blocks - Teal, Red, Orange & Yellow
Liquitex Matte Fluid Medium
Liquitex Blended fibres Texture Gel
Stencil-Art Stencils - Poppies, Quotes 1 & Swirly Leaves
Heritage Crafts Dimensional Fabric Puff Paint - Black
Edding 750 Paint Markers - Black, Red & Yellow
Edding 780 Paint Marker - White
Faber-Castell Big Brush pens - Deep Scarlet (219) & Orange Glaze (113)

Watch the video:




Saturday 13 September 2014

Hi Everyone,

I planned to start this blog entry by saying" Happy Spring!", but here in Johannesburg we skipped spring and jumped right into Summer!

I had so much fun playing with the Mermaid Stamp by Prima Marketing.  I absolutely love the Derwent Artbars,  you will most definitely see me using them a lot in my art journal.  I also discovered that I can stamp with the Derwent Inktense blocks and that once activated with liquid the stamped image is permanent.


Instructions:

  1. Place bleeding tissue paper circles on your page, spray it with water and leave to dry naturally.(See the video on how to make your own bleeding tissue paper below).
  2. Apply a wash of Topaz Blue Heritage Acrylic paint and water over the circles and dry with a heat tool.
  3. Dab Heritage Free Flow Acrylic Paint in various colours though the Fishinella stencil randomly over the background.
  4. Tear strips of bleeding tissue paper and adhere it to the background with Gel Medium to form sea grass.
  5. Spray White Linen Dylusions Ink Spray and then water over the background and dab it off with paper towel to mute the vibrant colours a bit and bind all the images together.
  6. Spray Dylusions Ink Spray in Polished Jade and Dry Martini through he Sea Damask and Sea Creatures stencils and let the background dry while you stamp and colour the mermaid.
  7. Rub the Prima Marketing Mermaid Stamp with an orange Derwent Inktense Block and stamp it on a slightly damp page of Daler-Rowney Heavyweight Paper. The image will be permanent once dry.
  8. Colour the mermaid with Derwent Artbars by picking up the colour with a water brush - I used my Pentel medium water brush.
  9. Cut out the mermaid when it is dry and adhere it to the background with Gel Medium.
  10. Paint a piece of the Heavyweight paper with a mixture of Heritage Pearl paint and Dylusions Callypso Teal Ink Spray and stamp the seashells included in the Prima Marketing stamp set.  Cut out and adhere over the bikini top of the mermaid with Gel Medium.
  11.  Apply Design Memory Craft Glass Bead Glitter Gel through he Blowing Bubbles stencil with a palette knife and let dry on its own. 
  12. Write the quote in pencil and when satisfied with the placement go over it with a black Faber-Castell PITT Artist Brush pen and once dry with the silver Edding Calligraphy pen.  I later went over it again with Edding Fine tip blue paint pen and added highlights with the Edding white paint pen as well.
  13. Use a white Gelly Roll Glaze pen to add scales to the mermaid's tail and some swirls to the background with the Fishinella stencil.
  14. Add shading and details to the mermaid with Design Memory Craft Big Brush pens in various colours, as well as the Glass Bead Glitter Gel bubbles.
  15. Adds some Pearl paint to the mermaid for a subtle touch of bling.

Watch the video:


How to make your own bleeding tissue paper:




Friday 25 July 2014

Hi Everyone,


My son is a music student at Wits and have so many guitars, but there's one guitar that is extra special as he bought it from his favourite guitarist. He also received some stickers and a signed photograph from him.  He asked me to frame the stickers so that he do not lose it, but I created this canvas with a picture of his guitar instead.


          INSTRUCTIONS:
  1. Cover the stretched canvas with black Gesso – remember to also cover the sides of the canvas.
  2. Collage pieces of serviettes with Matte Medium to the background.
  3. Crop the photo of the guitar and print on plain copy paper with a laser printer. Carefully cut out the guitar so that the left over piece can be used as a template/stencil.
  4. Play around with the placement of the guitar and stickers and use temporary adhesive spray to adhere the template to the canvas.
  5. Spread fibre texture paste through the template to create dimension.  Carefully lift the template and leave overnight to dry.
  6. Print another copy of the guitar on plain copy paper and tear a piece of wax paper as large as the copy paper. 
  7. To print the image of the guitar on the wax paper I need to temporarily adhere the wax paper to the copy paper so that I can feed it through my laser printer.  I found that if I spray the temporary adhesive over the entire piece of wax paper, I am unable to pull the wax paper from the copy paper without tearing the image. It seems to adhere permanently where the image is printed.  Only spray adhesive on the outer edges of the copy paper and adhere the wax paper.
  8. Carefully cut the image of the guitar from the wax paper and use Heritage 3D Crystal Acrylic in Sienna to adhere the image overt the fibre paste image.  Use an old store card to remove any air trapped under the wax paper and then seal the image with clear gel medium on top.
  9. Spread Golden Black Metallic Acrylic over the collaged pieces of serviette to try to blend it into the background.
  10. Remove the backing paper from the stickers and adhere it in place and use an old store card to really make sure that the stickers are firmly stuck down without any air trapped underneath, otherwise the stickers will start peeling after a while.
  11. Apply clear gesso over the shiny stickers so that more layers can be added on top.
  12. Use Viva Décor Inka Gold Metallic Rubs and Stencil-Art’s Flames stencil to add flames to the background, seeing that the band is a heavy metal band. I used a palette knife, my fingers and Ranger’s Craft Nib Tool to get into the really small spaces.  These metallic rubs really blend easily so layer the different colours to add dimension and interest to the flames.
  13. Mix the Lava Red Metallic Rub with water and apply a thin wash of colour to the stickers so that it can blend into the background. 
  14. I really want the flames to stand out so I repainted the background with black acrylic paint.
  15. I adhered the signed self-adhesive picture of the band to the canvas and sealed it with clear gel medium on top.
  16. Add more details and shading with Portfolio Water-Soluble Oil Pastels and blend with your fingers.
  17. Use a fixative spray to make sure that the water-soluble oil pastels do not blend or move.
  18. Finally seal the whole canvas with Polyurethane Hard Varnish in a Matt Finish to protect it from scratches and dust.  Use a foam brush to apply the varnish as to avoid brush strokes and loose bristles getting stuck to the canvas.  Place the canvas on some paint jars so that the sides of the canvas can be sealed as well and leave it to dry.


    Watch the video on Youtube:



Sunday 6 July 2014

Hi Everyone,

I am so excited to stock mixed media and other art books in the shop.  I plan to do a monthly book review of one of these books available in the shop at www.stencil-art.co.za


Today's book review is Water Marks by Monique Day-Wilde.  I am always so happy to support local artists!



Water Marks is the latest book by Monique Day-Wilde and is locally published by Metz Press and is also available in Afrikaans.


This is not just another book about muted, delicate and translucent watercolours.  Instead rich, vivid images, are created not only with watercolour on paper, but also with a mix of other media and materials in all kinds of unconventional ways.  All this while still retaining a watery feel and enhancing and expanding the possible textural effects. Although flowers are the central theme throughout the book, the focus is on the techniques that can easily be applied to any project.

The reader are eased into the book with an introduction to the materials, tools and techniques used in the projects with useful tips from this experienced artist-writer. All crafters and mixed media artists from the absolute beginner to the experienced will find something useful and exciting in this book! 

Learn a multitude of techniques in 28 step-by-step projects with media like Acrylic Inks, Watercolour paints, Fabric Dyes, Acrylic Paints, Watercolour pencils and many more.

The quotes at the beginning of each section are an added bonus! This book encourages you to experiment and play! To quote Monique Day-Wilde: “Finally, don’t be afraid to experiment – it’s just a piece of paper!”. There is even a section showing you how to incorporate your “happy accidents”!

I am sure you will enjoy this book just as much as I did. 

Watch the video:





Monday 23 June 2014


Hi Everyone,

last time I posted a new tutorial I was still in short sleeves.  All of a sudden winter is here and I am sitting next to a heater and swaddled in layers of clothing!  The early mornings and late afternoons are quite cold here on the highveld, but luckily the sun is shining during the day!

I once again designed 2 new stencils and gives it a test drive on this art journal page - Star Flowers and Butterflies 3. 


Journal page - Butterfly by Sareana van As
SUPPLIES NEEDED:

Strathmore 9x12 Visual Journal - Bristol Smooth Paper
Liquitex Clear Gesso
Ranger Mini Ink Blending Tool
Distress Ink Pads -Festive Berries, Seedless Preserves, Ripe Persimmon, Mustard Seed & 
       Picked Raspberry
Heritage 3D Contour Paste Gel - Matte (Gel Medium)
Heritage Artist’s Acrylic - Pearl #06 & Brilliant Gold #M13
Stencil-Art Stencils - Star Flowers, Butterflies 1, Butterflies 3, Flowers Mixed & Dots Small
Mul-Tex Laminated Mulberry Fiber Sheet
Lindy Stampgang Starburst Sprays - Poinsettia Red Gold & Jazzy Jivin’ Purple
Lindy Stampgang Moon Shadow Mist - Smoky Sapphire
Ranger Multi Medium Matte
Distress Paint - Mustard Seed, Spiced Marmalade, Barn Door & Mowed Lawn
Zig 2-Way Glue Pen
Big Brush pens - Black #199, Permanent Green Olive #167, Deep Scarlet Red #219 &
      Cadmium Yellow #107
Lisa Pavelka Craft Foil Sheets - Rainbow
Faber-Castell Pitt Artists pens - black
Sharpie White Extra fine point paint marker

INSTRUCTIONS: 
  1.  Apply Liquitex Clear Gesso with a paintbrush through the Star Flowers stencil.  As always I will let each layer dry (either with the heat tool or let it stand for a while) before adding any new layer of medium on top.
  2. Use the mini ink blending tool to apply Distress Inks in a circular motion to the page. I used Festive Berries, Seedless Preserves, Ripe Persimmon, Mustard Seed and Picked Raspberry.
  3. Distress Inks will always reactivate with liquid so I will seal this layer with Gel Medium so that I can add more layers of wet mediums on top. 
  4. Dab some Pearly Acrylic paint with the mini ink blending tool through the Butterflies 1 stencil to add just a faint pearly shimmer of flying butterflies to the background.
  5. Cut a piece of Mul-Tex large enough so that the butterfly from the Butterflies 3 stencil will fit in and stick it down to the craft sheet with some masking tape.
  6. Colour the Piece of Mul-Tex with Lindy Stampgang Sprays and set aside to dry.   I used Starburst Poinsettia Red Gold, Starburst Jazzy Jivin’ Purple and Moon Shadow Smoky Sapphire.
  7. I always clean my stencils and excess paints and inks in the local telephone directory.  I just love using this tissue paper for collage in my art journal. 
  8. Choose some of the papers and draw flowers and leaves with the Flowers Mixed stencil with a white Sharpie paint marker.  I designed this stencil specifically with doodling in mind.  Then continue to cut out all the shapes.
  9. Draw the butterfly with a Gold pen on the coloured Mul-Tex and cut it out.  The Mul-Tex kept on curling so I scrunched it up so that it can lay flat.
  10. I moved my collage elements around until I was satisfied with the placement and adhered it with Multi Medium Matte by Ranger.
  11. The red butterfly was standing out to much so I painted it with acrylic metallic paint in Brilliant Gold by Heritage to give it a more of an orangy colour.  This metallic paint is translucent so the bottom layers of colour will show trough.
  12. I adhered the Butterflies 3 stencil with masking tape to the page and use the Dots Small stencil to add texture with Distress Paint dabbers in Mustard Seed, Spiced Marmalade and Barn Door, again drying in between each addition of colour.  Then add some dots of Mowed Lawn Distress paint to the bottom of the page.
  13. Use a Zig 2-Way Glue Pen to add details to the butterfly.  While I wait for the glue to turn from blue to clear once sticky, I draw the stems with a Green Olive Big Brush pen and add the leaves with Multi Medium.
  14. Gently adhere the Craft foil with a paint brush or you fingers to the butterfly.  The foil will adhere to the glue.  You’ll see that I waited too long and the glue started drying. For best results the glue must still be sticky. Use the glue and foil to add antennas to the butterfly.
  15. Mark out the lines for the quote and write a rough outline for the words with a pencil.  Once I was happy with the layout of the words, I went over the outlines with a Faber-Castell Pitt Artist Brush pen and filled it in with the black Big Brush pen.
  16. Use your white Sharpie Paint pen and black Pitt Artist pens to add details, outlines and doodles to the butterfly, flowers and leaves.  Use the Flowers Mixed stencils as necessary.
  17. Add vines and tiny leaves to the words with the Green Olive Big Brush pen and outline the words with the white Sharpie paint pen.  Doodle a border around the page and then add tiny flowers to the words with the Deep Scarlet Red Big Brush pen.
  18. Lastly shade around the butterfly, flowers and leaves with Big Brush pens in Deep Scarlet Red, Green Olive and Cadmium Yellow.
  19. I always finish off my page with the date stamp!
Watch the video:









Sunday 4 May 2014

Wow, its been a long time since I posted on the blog! I have been busy stocking the shop with lots and lots of new goodies to play with!

I have also been really busy designing new stencils, and as always first play with the stencils myself before adding it to the shop.  I have been working on a template for houses for a while and came up with the "My Neighbourhood" stencil that includes a fun border as well as a picket fence and some pots and plants.  The cute buildings can be either houses or shops, like a bakery in my tutorial.

My "Sunshine Houses" Art Journal Page:


SUPPLIES NEEDED:

Strathmore Visual Journal 9x12 Bristol Smooth Paper
Heritage Craft Products Gesso Paste
Acrylic Sprays
Stencil-Art stencils – My Neighbourhood STDS015, Cherry Blossoms STDS014 & 
                                    Sun Rays STBP024
Patterned Scrapbook and Text Paper
Heritage Craft Products 3D Crystal Acrylic Paint – Fire Engine
Tim Holtz Distress Paint – Spiced Marmalade, Mowed Lawn, Picket Fence & Mustard Seed
Sakura Glaze Pen – white
Faber-Castell Big Brush pens – Warm Grey 273, White 101, Skyblue 146, Orange Glaze 113,
                                                       Walnut Brown 177, Green Gold 268, Cold Grey 230
                                                       Deep Scarlet 219 & Permanent Green 167
Heritage Craft Products Free Flow Acrylic Paint – Carmine, Turquoise, Orange & Red Oxide
Portfolio Water-Soluble Oil Pastels – Orange, Red Orange, Yellow Orange, Yellow, Blue Green,
                                                                   Red, Green, Gray & Cerulean
Sharpie Extra Fine Point White Paint Marker

INSTRUCTIONS:

IT IS IMPORTANT TO ALWAYS LET ONE LAYER DRY BEFORE ADDING ANOTHER!


  1. Apply gesso paste to the background with a palette knife to create some texture.
  1. Use home-made acrylic sprays to the background, move the page to create interesting patterns and to mix the colours a bit. (Watch the tutorial how to make your own acrylic sprays Click here).
  1. I initially planned to paint the 3 houses using the “My Neighbourhood” stencil as a template, but changed my mind and used patterned scrapbook to cut out 3 houses.  I collaged the houses to the background with Ranger’s Multi Medium Matte.
  1. I tore a page out of an old childrens book and cut out the shapes for the windows and doors and adhered it in place with the Multi Medium.
  1. To get the paper houses to look like it was part of the page, I applied a wash of gesso to the whole page.
  1. I used the Cherry Blossom stencil and Heritage 3D Crystal Acrylic Paint to add flowers in the foreground – almost as if you were looking at the houses from behind some flowers. I left it to dry over night – I found that the 3D Crystal Acrylic bubbles and burns and looses its transparency when dried with a heat tool.
  1. I lined the stencil up over the flowers and applied Distress Paint in Spiced Marmalade, Mowed Lawn, Picket Fence and Mustard Seed to the flowers and leaves.
  1. I used Faber-Castell Big Brush pens to add the pavement blocks and other details to the houses.
  1. I applied Heritage Free Flow Acrylic Paint to the awnings and roofs of the houses.
  1. Use the Sun Rays stencil to add sun rays behind the houses and lengthen the rays with a ruler. I made use of Portfolio Water-Soluble Oil Pastels for this – use the Inkssentials Craft Nib to blend the pastels as it fits in tight spaces where your fingers can’t. I also used the oil pastels to shade around the flowers.
  1. I created some flowers on watercolour paper the same way as in step 6 & 7 and cut out the flowers and leaves.  Create some dimension on the flowers and leaves by rubbing and blending oil pastels to the edges.  Adhere to the page with Multi Medium Matte.
  1. Colour in the pavement blocks with a Oil Pastel in Gray and blend with a water brush.  Shade around the houses with oil pastels.
  1. Add some final details to the houses with Faber-Castell Big Brush pens.
  1. Finally add the quote and the date with a Sharpie Extra Fine Point White Paint Marker.

Youtube video:




Saturday 15 March 2014

Hi Everyone,

I have a confession to make ...    I am a bit obsessed with sprays at the moment.  It is not always the easiest medium to use, as I more often than not cannot control where it ends up on my page.  I still love how easy and quick you can apply the colour.  



Today I am showing you how to make your own Acrylic Sprays! The advantages are that you can mix your own colours to coordinate exactly with your colour scheme  and that the Acrylic paint is permanent once dry.  Being a mixed media artist, this is a huge plus point for me as I always work in layers.  

I used some different Acrylic paint products in the shop (I try to stick to one colour so that I can compare the results) and the plastic bottles are also available in the shop at www.stencil-art.co.za.  This was the results once the sprays dried:


You can watch the Youtube video at https://www.youtube.com/watch?v=o08USAY9GFY

Friday 21 February 2014

Hi Everyone,

As previously mentioned I released 4 new stencils featuring different angles of faces.  I have never tried an abstract painting before and decided to give it a go while I played with the new face stencils.

I was pleasantly surprised by the quality and vibrancy of the Heritage Craft Products' Artist's Acrylics as it is not expensive.  I have found that the Metallic Artist's Acrylics are however translucent.



Instructions:
  1. Cut a mask of the whole stencil with Wax Paper (Deli Paper) and adhere to the background paper with Adhesive Spray. (I use wax paper from Checkers - it works great on the Gelli-Arts Plate as well!)
  2. Make a wash with Black Acrylic Paint and water and cover the background.
  3. Use Cosmetic sponges or a stencil brush to create some texture with Metallic Acrylic paints and stencils. Dry each layer of paint before adding more paint. I used Heritage Craft Products Metallic Artist's Acrylics in Regal Red, Sapphire Blue, Brilliant Gold, Emerald Green & Amethyst and Stencil-Art stencils (Crazy Arrows, Crazy Triangles, Bent Squares). I have cut some of my stencils in circles so that it does not leave such a straight border when I use it in my art projects).
  4. Add more texture with white Acrylic paint (Heritage) and Stencil-Art Scrambled Letters stencil. Repeat with Dark Gold Artist's Acrylic and Spiral Burst stencil.
  5. Remove the wax paper mask and spread some black Texture Paste (Heritage Craft 3D Contour Paste) through the stencil to create a raised outline for the image. Dry before adding colour.
  6. I used Heritage Craft Products Artist's Acrylics in Red, Blue and Yellow to "colour in" the face.  It was quite fun to just add and mix the colours.  I did, however try to create highlights and shadows with the lighter and darker colours. 
  7. I used White and Black paint to add details to the face.
  8. I used the 3 primary colours and Black and White to cover the too busy background. 
  9. You are more than welcome to e-mail me if you need some more information at sareana@stencil-art.co.za.

Youtube video:



Monday 17 February 2014

Hi Everyone,

I have been working hard at designing a series of stencils of different face angles.  My daughter, Danelle was my model for all the designs. 

All 4 stencils were released today and is available at www.stencil-art.co.za.  I will be posting some ideas on how to create the following artwork using the stencils in the next couple of weeks on Youtube and Facebook.

Classy Girl - Heritage Craft Products Acrylics

Sporty Girl - Heritage Craft Products Acrylics

Preppy Girl - Derwent Pastel Pencils

Flower Girl - Dylusions Ink Sprays



Friday 7 February 2014

Hi Everyone,

Today I am playing with one of the Donna Downey's stamps.  Unity Stamp Company released a series of  "face" stamps by Donna Downey.  Some are available in the shop at www.stencil-art.co.za.


  1. I applied Heritage Craft Gesso Paste to the background with a paintbrush.  I spread it quite thickly as I wanted to add texture with a cake decorating roller I bought from the Chinese Market in Randburg at R40 each. (If you like to negotiate I'm sure you could pay cheaper).  I also use these rollers on my Gelli-Arts plate.
  2. I am using Gelatos in warm colours to create my background. Donna Downey recently demonstrated this technique on the Design Memory Craft Youtube channel (http://youtu.be/4KvatjVacag). 
  3. After finishing my background, I coloured in the face on the stamp with Design Memory Craft Stampers Big Brush pens.  As this pens are filled with the India Ink, it stays wet for a while and dries permanent. I layed the tissue paper over the stamp and gently rubbed with my fingers and a soft Speedball Brayer to transfer the ink.
  4. I stamped the sentiments with Ranger Archival Ink in Jet Black on plain copy paper.
  5. I tore some pages of women out of magazines and chose one that will fit in with my colours and the stamped face. 
  6. I painted the spot where the face will be with white Gesso as I planned to colour in the face with Gelatos.
  7. I used Gel Medium to adhere the body and the stamped face to my page.  I used an old Gift Card to flatten the paper and to make sure that there was no air bubbles or wrinkles in the paper.
  8. I used Gelatos to colour in the face and added highlights, shadows and details with the Big Brush pens.  I love the fact that the Big Brush pens does not dry immediately, there is always time to blend the ink or even wipe it off if you do not like the effect.
  9. I used the Gelatos in the same colours I used for the background wanted the body to "disappear" into the background.
  10. I sprayed Fixative Spray  over the Gelatos before I stamped the texture around the face of the stamp on the background of my page with Jet Black Archival ink by Ranger.
  11. I stamped the face randomly in the background with the Archival Ink
  12. I decided which sentiment to use and adhered it with Gel Medium to the page, again making sure that there is no wrinkles.
  13. I used the Champagne Gold Gelato to add some colour around the face to draw attention to my focal point.
  14. I used the Big Brush pen in warm grey around the sentiments as the white copy paper was to bright and distracting attention from my focal point (the coloured face).
  15. Lastly I stamped the date.

Video on Youtube: